WMS

Choosing former Roxy Music member and David Bowie collaborator Brian Eno to produce them, Talking Heads expanded their sound greatly for their second album released in 1978. More Songs About Buildings And Food stands amongst the Talking Heads' best work. The influence of producer Brian Eno stands out as he helped propel the band forwards into increasingly innovative territory. The entire album, even the minor hit, an Eno-treated cover version of Al Green's "Take Me To The River," sounds amazingly fresh some thirty-six years later. The CD format includes a blu-ray disc featuring Dolby Atmos, 5.1 and Hi-Res Stereo Mixes as well as two previously unreleased in full live performances captured on video back in 1978.

Last year, Clapton hosted and curated the seventh installment of his Crossroads Guitar Festival on September 23 and 24 at the Crypto.com Arena in Los Angeles, CA. It notably marked the event's return after a four-year break, selling out the iconic arena on both days. Once again, Clapton carefully assembled a powerhouse cohort of influential guitarists representing various eras and styles. The impressive lineup boasted Joe Bonamassa, Clapton, Gary Clark Jr., Sheryl Crow, Eric Gales, H.E.R., Christone "Kingfish" Ingram, Los Lobos, John Mayer, The Marcus King Band, Roger McGuinn, John McLaughlin, Santana, The Wallflowers, and many more. Not to forget, Bill Murray served as the evening's "Master of Ceremonies." <br/> <br/>Coming together, the set rotated between blues staples, American Songbook classics, and generational rock 'n' roll anthems shocked to life by this elite six-string consortium.

Collection featuring the rare alternate Fleetwood Mac tracks from 1975 -1987. Previously released individually for Record Store Day events on vinyl, they will now be collected together in one set on colored vinyl. The set will include: The Alternate Fleetwood Mac, The Alternate Rumours, The Alternate Tusk (2LP), The Alternate Live (2LP), The Alternate Mirage, The Alternate Tango In The Night, pressed on crystal clear vinyl.

The start of a musician's career is not only an intriguing collection of what happened, but maybe even more important is a gaze into what their future might hold. With musical artist Neil Young, Archives Vol. I: 1963-1972 offers the sounds of his first decade, but just as importantly holds a light on the future of what's to come. Young's world of sound and spirit remains a never-ending adventure. It starts here. <br/><br/>Neil Young Archives Vol. I: 1963-1972 is the first in a series of archival box sets encompassing Young's entire career. Vol. I was originally released on June 2, 2009, in three formats: A 10-disc deluxe edition in either Blu-ray or DVD and an 8-disc CD box.<br/><br/>Out of print for over a decade, the 8-CD box set is now being re-issued in its original format - housed in the "Garypak", a unique package designed by Young's long-time art director, the late Gary Burden. Each CD has its own custom sleeve.

To celebrate the 40th anniversary for The Sisters Of Mercy's debut album 'First And Last And Always', a 4LP black and red marble coloured vinyl set is released. <br/><br/>It includes the original album alongside the three EP's that preceded its release - 'Body & Soul', 'Walk Away' and 'No Time To Cry'. Each EP features non-album bonus tracks.<br/><br/>Formed in Leeds by guitarist Gary Marx and vocalist Andrew Eldritch in 1980, they released 'First And Last And Always' in March 1985 and is the culmination of five years of independent releases that saw them build up a large cult following.<br/><br/>Their first release with Warner (who they signed to in 1984) it reached number 14 the UK Album Charts by which time the band featured Wayne Hussey on guitar and Craig Adams on bass - both of whom would later leave the band to form The Mission.

Close to the Edge (Super Deluxe Edition) is the definitive version of the Yes' fifth album, and the band's greatest commercial success at the time of its 1972 release. This album version includes five CDs, one LP, and a Blu-ray disc. <br/><br/>Introducing, a newly remastered version of the original album on both CD and vinyl, rare and unreleased recordings. <br/><br/>A Blu-ray disc completes the collection with Steven Wilson's 2025 mixes, including the album in Dolby Atmos and 5.1 Mix DTS-HD MA.

ROCK 'N' ROLL STAR!, containing 29 unreleased tracks, covers early songwriting demos, recordings from David's band, The Arnold Corns, rehearsals at Bowie's then-home, Haddon Hall, BBC sessions, singles, live performances, plus outtakes and alternative versions from the original album recording sessions, which have been newly mixed by original album producer, Ken Scott. <br/> <br/>Unreleased highlights include an alternative version of 'Lady Stardust', an unheard version of the deep-cut classic 'Shadow Man' and an up-tempo take of The Who's 'I Can't Explain', which he would later slow down and cover for the PIN-UPS album.<br/> <br/>The audio-only Blu-Ray disc features the definitive 2012 remaster of the original Ziggy Stardust album in 96kHz/24bit PCM stereo, plus the album and additional mixes from 2003 in DTS-HD Master Audio 5.1 as well as the singles, outtakes and alternative versions in 96kHz/24 bit PCM stereo.<br/> <br/>The Blu-Ray also includes a version of the ZIGGY STARDUST album called WAITING IN THE SKY (BEFORE THE STARMAN CAME TO EARTH) taken from Trident Studio tapes dated 15th December 1971, which features an alternative running order and four songs that didn't make the final album.<br/><br/>ROCK 'N' ROLL STAR! also contains two books. The first is an extensive 112-page book with detailed liner notes, memorabilia, contemporary reviews and articles, rare photographs from Barrie Wentzel, Michael Putland, Mick Rock, Sukita and Alec Byrne, as well as brand-new notes and interviews with Ken Scott, Mark Carr Pritchett and David's plugger from the time, Anya Wilson. Accompanying the main book is a 36-page compiled reproduction of David's personal Ziggy Stardust era notebooks. <br/> <br/>The first track taken from ROCK 'N' ROLL STAR! is 'ZIGGY STARDUST' (DEMO)' recorded by Bowie on vocal and acoustic guitar in March 1971 at Haddon Hall in Beckenham.